Tag: culture laboratory

  • An Investigation of Extra-Terrestrial Issues for the Uninitiated

    An Investigation of Extra-Terrestrial Issues for the Uninitiated

    Culture Laboratory Collective: An Investigation of Extra-Terrestrial Issues for the Uninitiated curated by Ryder Richards Friday, May 3, 2013 The Cube, Roswell, New Mexico Concerned with the cultural impact of the ‘other’ upon a specific community the Culture Laboratory investigates the occurrence of U.F.O. and Extra-Terrestrial life related to Roswell, New Mexico. [link]  Seeing as the government offered multiple stories over…

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  • 2012 Awesomeness

    2012 Awesomeness

    So, let’s get it out of the way that a year-end review of my art life strikes me as pompous, which is kinda why I am doing it. It reminds me of the Christmas card from an aunt with a page long letter spewing tidings of glee centered around the success of her family as they…

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  • Culture Laboratory: Response I & II

    RESPONSE I & II: Culture Laboratory Collective in collaboration with Ben Lewis and Noah Simblist Martha Gault Gallery, Slippery Rock University, Slippery Rock, PA January 26- Feb 21, 2012 (curated and coordinated by Ian F. Thomas.) Ryder’s Contributions:  Response I _  Response II

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  • Review: Culture Laboratory’s “Land Portrait” Exhibit

    “Earth isn’t always what we try to make of it” By Scott Andrews  Culture Laboratory Collective: Land Portrait San Antonio Current, JANUARY 11, 2012 … Instead of body-as-terrain, “Marking Time: Erosion” by Ryder Richards and Loren Erdrich’s “Exit Strategy” show the body against terrain. They are two of the most compelling works in the exhibition. Richards’ piece…

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  • Review: Culture Laboratory’s “Co: Modify” exhibit

    Glasstire.com – “Co-Modify: Culture Lab Collective” at Victoria’s Nave Museum January 8th, 2012 by HARBEER SANDHU “Anything can be made better by deep-frying it,” he writes in his artist statement. Richards’s piece, Fried Gold: Best Idea Ever, is the highlight of Co-Modify, on view at Victoria’s Nave Museum through January 21. The piece consists of four battered and deep fried, gold-plated necklaces…

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  • Marked Time: Erosion and Compression

    Land Portrait (Coordinated and Curated by Brian Jobe.) January 5- January 27, 2012 _ Opening Reception: Jan 5 & 6, 2012 UTSA Satellite Space, Blue Star Art Complex, San Antonio, TX

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